Leslie Helpert perfectly embodies my idea of an artist. She is beautifully quirky, speaks in a language of images, tells you about imaginary friends, and is keen to all that makes life potent. She lives inside of her art and isn’t meant to do much else. Throwing herself into the act of creation, she offers herself as poet, guitarist, songbird, novelist, dancer, and artist (the gorgeous image at the top of Lux Illuminates is hers).

Watching Helpert perform is a captivating, emotional experience. Her body is stirred by the movement of her song, adding bottomless depth to the art she offers.

The American songstress has rendered 5 albums in the last decade, all which resound with her artistry. Ulu is her most recent effort, a 4-song EP recorded in Barcelona with producer Dave Bianchi. Enticed by intuition, Helpert left the states in March for a 6-week tour from Rome to Paris. She was compelled to delay her return and through a series of serendipitous events encountered Bianchi and found herself recording in Barcelona for the month of August. Ulu (December 2009) was then crafted and released on Bianchi’s Barcelona/NYC label “Whatabout Music”.

On Ulu, Helpert conspired with musicians from Spain, Greece, Guinea, Israel, Portugal and California to add cello, harp, Gaida (Greek bagpipes), upright and electric basses, vocals, trumpet and drum-kit to her musings. Helpert’s musicality comes through on the release in the form of guitar, Rhodes piano, electric bass, percussion, beatboxing, and her effusive vocals.

Throughout Ulu, Helpert draws you in with her intoxicating style, using music a modality to deliver art into the moment. “Young Coconut Water”, the EP’s single, embodies this dreamy elegance. As in all of my favorite compositions by the one known as Serpentfly, the song travels through a variety of sections, illustrating the complexity of Helpert’s unique writing style. Soaring horns lift the song up as she wails, woven with nectar-filled harmonies and cymbal crashes.

The rest of the tracks of Ulu are sophisticated and intimate. They capture the potential of this wistful siren, carrying the intelligent listener into a world of living poetry and detailed narrative. Helpert explores the rich timbre of her voice, embodying at once punk music and the sounds of a distant time. Rhythmic lyric and melancholy balladry are accompanied by innovative drumming, sumptuous strings, and evocative vocalizations.

2009 has seen Helpert trying her songs on the keen ears of Europe in small rooms and large theaters throughout Italy, France, Spain, Holland, and England. December still finds Helpert in the romantic lands of Europe.

Below is “Young Coconut Water” along with a few of my favorites from previous releases.

mp3: Leslie Helpert – Young Coconut Water – Ulu (2009)

Young Coconut Water
It just so happened, when we were each-others,
We pricked our fingers and became blood brothers.
It was an accident, really, kids climbing on barbed wire,
to go feed the colts little bombs on fire.

And, then again, when we were older,
By coincidence met ice-climbing frozen boulders.
We both anchored the pick-ax and by surprise,
It struck simultaneously in each of our sides,
And so this time we became blood sisters.

I’m your Type A when you’re needing transfusion,
And you’re not to blame, it’s both our confusion.
I, too, walk away like god’s born-again daughter.
Like fresh-pumped-in-the-vein Young Coconut Water,
Ignorant and Ignoble.

Through all adventure, I’ve learned a score.
It’s not your lover you’ve been searching for.
No matter the carriage, the wheel spoke aloud as you drive
They sang it’s not about your lover, this here’s not about your lover.

It’s your genius your longing to keep alive,
It’s your genuis your longing to keep alive.

mp3: Leslie Helpert – Snowfall – Cupcakes And Radishes (2005)
mp3: Leslie Helpert – Good N’ What We Had – Cupcakes And Radishes (2005)
mp3: Leslie Helpert – Honey Pot – 13 Songs (2002)

Leslie’s MySpace

Download through Amazon: Ulu