At the end of a weekend of award-winning sets, blue skies, and hipper-than-hip crowds, an esteemed analyst of mine pronounced that Gorillaz had won Coachella. After falling for the title, I’m compelled to share who made the grade, offered stand-out sets, and made Coachella what it is: the picking ground for some of the best artists performing now.

Several acts were immediately taken out of the contest due to their inability to get to the festival. The Cribs, Gary Numan, Bad Lieutenant, and Delphic fell pray to flight cancellations as a result of the plume of volcanic ash from Iceland that descended on the UK and parts of Scandinavia during the week prior to the festival. Sly Stone has been disqualified as well due to the last minute postponement of his Sunday set until later that evening and the difficulty he had making it through his own songs.

While the remaining 130+ artists competed enthusiastically, the Lux votes are in and it’s a tie between Gorillaz and Thom Yorke’s Atoms For Peace. The remaining titles have been awarded respectively to Dirty Projectors, The Whitest Boy Alive, Grizzly Bear, Passion Pit, Phoenix, Edward Sharpe & The Magnetic Zeros, LCD Soundsystem, Jónsi, Pretty Lights, Vampire Weekend, La Roux, Jay-Z, Hot Chip, Pavement, MGMT, Gossip, The Avett Brothers and Little Dragon.

Owen Pallett’s geeky laugh, the longest bout of insanely loud distortion from Girls, and Mutemath’s Paul Meany performing flips on and over his keyboard made for other memorable Coachella moments.

Special thanks to Ra Ra Riot, Local Natives, Little Boots, Beach House, Sia, Miike Snow, Flying Lotus, Sleigh Bells, and Imogen Heap for playing. You have each been awarded an honorable mention.

Last place goes to Tiësto. You can’t win when you insist on being louder than every other artist to perform and drown out your competitors.

Congratulations to Coachella for their first sell out in the festival’s 12 years. Your decision to hold the fest on the meticulously manicured and palm-tree lined grounds of the Empire Polo Fields in California where the weather might be the finest in the nation might warrants you the prize of best indie festival around.

#1 – Gorillaz
The Gorillaz set was all over the map in terms of music diversity. Quality beats and grooves drove audience members to produce their best dance moves yet. Who needs holographic bandmates when you’ve got a live band made up of the Hypnotic Brash Ensemble and a long list of guests including former Clash members Mick Jones and Paul Simonon, Little Dragon, De La Soul, Gil Scott-Heron and Bobby Womack.
MySpace|Website

mp3: Gorillaz – Empire Ants (feat. Little Dragon)

#1 – Atoms For Peace
Thom Yorke’s music is meant for large scale productions like Coachella. The incredible presence of Yorke live with Flea adding his electrifying bass lines truly brought The Eraser to life. Thick beats, resounding piano lines, psychedelic interludes and Yorke’s haunting vocals created an entirely cathartic experience built on inspired song-writing.
MySpace|Website

mp3: Thom Yorke – And It Rained All Night

#3 – Dirty Projectors
With chanteurs that sound like birds, Dirty Projectors dazzled listeners with their experimental sonic alchemy. The beauty of Amber Coffman, Angel Deradoorian, and Haley Deckle’s voices shone radiantly alongside the intricate and unique musical stylings of their compatriots. The power of this group live is something to behold.
MySpace|Website

mp3: Dirty Projectors – Cannibal Resource

#4 – The Whitest Boy Alive
Some of the best music I heard all weekend came from this band out of Berlin. I’ve had a lasting affection for Kings of Convenience, which made it even more exciting when I heard KoC lead singer Erlend Øye’s new project. Øye has dove headfirst into an entirely original form of electro-dance music. His unique vocals fraternize perfectly with the band’s funk guitar lines, smooth keyboard melodies and dance-heavy bass and drums grooves. After the set ended, Øye came out to slap hands with the remaining fans, sing a few lines with them, and proudly wave the German flag that was tossed to him.
MySpace|Website

mp3: The Whitest Boy Alive – Intentions

#5 – Grizzly Bear
Grizzly Bear put other artists to shame with their voluptuous 4-part harmonies. The sounds created a thick atmosphere drenched in their deeply textured psychedelic pop. The audience was moved and accepted the invitation into their sonicly rich world.
MySpace|Website

mp3: Grizzly Bear – Two Weeks

#6 – Passion Pit
One of the best synth-pop band out there electrified their audience as the sun dropped over the mountains in Indio on Friday. Offering their realm of highly danceable pop grooves, Passion Pit glimmered and soared. The blissed out crowd reciprocated with elation-filled singing and tumbling exuberance.
MySpace|Website

mp3: Passion Pit – Little Secrets – Manners (2009)

#7 – Phoenix
Phoenix’s sparkling indie-pop has clearly taken the U.S. by storm. Their infectious set on Sunday was packed as Coachella-goers drank in the energetic performance by France’s new sensation. Crowds sang along, danced hard, and demonstrated unabashed love for Phoenix. The band’s lighting designer got caught up in flight delays in Europe but no need when you have an engaging Thomas Mars writhing on stage and getting down into the audience to sing the set’s closer.
MySpace|Website

mp3: Phoenix – 1901 – Wolfgang Amadeus Phoenix (2009)

#8 – Edward Sharpe & The Magnetic Zeros
Edward Sharpe & The Magnetic Zeros’ hippy, communal vibe and jubilant feel-good tunes created the perfect soundtrack for Coachella on Saturday. The band took their audience on a magical trip into their realm of love, hope, and happiness and for the trippers I saw, it couldn’t get any better. The female vocalists surfed the crowd in short dresses and the tangible intimacy between Alex and Jane could be felt no matter how far back one might have been.
MySpace|Website

mp3: Edward Sharpe & The Magnetic Zeros – Janglin

#9 – LCD Soundsystem
James Murphy’s disco-tinged, dance-punk, David Byrne-recalling set on the main stage of Coachella Friday night magnified the impact of his imaginative musical world. Murphy was egoless, at points even apologetic, inspiring the audience to equally let down their hair and let go of self-consciousness. The band consistently wowed those ready to dance with heavy synth and explosive drum fills, ridden by Murphy’s smart, lyrical meanderings.
MySpace|Website

mp3: LCD Soundsystem – Losing My Edge

#10 – Jónsi
Jónsi’s uplifting sounds created the perfect daytime set at Coachella. The exclusion of the fantastical theatre set and projections that accompany the rest of his spring tour enabled fans to focus on Jónsi’s pure musical gift. Flawless falsetto, glistening crescendos, and orchestral embellishments washed over the crowd as the sun warmed them.
MySpace|Website

mp3: Jonsi – Go Do

#11 – Pretty Lights
Colorado sent their best and brightest to Coachella to incite audiences with cutting-edge dance beats, heavy funk grooves, diverse hip-hop samples, and eletro psychedlia. It went off. Who cares if it’s daytime when you’re in the Sahara tent dancing to Derek Vincent Smith’s sonic intuition coming to life coupled with the venue’s over-the-top lights, lasers, projections, LED screens and surround sound speakers.
MySpace|Website

mp3: Pretty Lights – Hot Like Sauce

#12 – Vampire Weekend
The band’s energetic, youthful enthusiasm and deft musicianship infused their performance, which drew on favorites from both of the group’s records. The highlight of the set came when Ezra Koenig shared his love of screaming by encouraging the audience to just let it all go and join in as he shrieked the chorus of “Blakes Got A New Face.”
MySpace|Website

mp3: Vampire Weekend – One (Blake’s Got A New Face)

#13 – La Roux
La Roux’s set in the Gobi tent might have been the most packed performance of the weekend next to Florence And The Machine. The young crowd went wild for Eleanor Jackson’s synth-driven dance-pop and sugar-sweet vocals.
MySpace|Website

mp3: La Roux – In For The Kill

#14 – Jay-Z
Classic beats, Jay-Z’s smooth stylings, his evident love for his fans, an unannounced cameo from Beyoncé, and spectacular visual backdrops made for stellar entertainment Friday eve. Just the kind of set you’d expect from the first hip-hop headliner ever at Coachella.
MySpace|Website

mp3: Jay-Z and Beyonce – Young Forever (Coachella 2010)

#15 – Hot Chip
U.K’s electro-pop ambassadors created a massive dance party on Coachella’s Outdoor Stage on Saturday. “It’s our third time at Coachella,” Alexis Taylor told the crowd, “and this is the most fun we’ve ever had.” The high-energy set, based mostly on the group’s latest release, One Life Stand (2010), wove the band’s synth explorations within elegantly placed samples all topped by Taylor’s pastel-colored vocals.
MySpace|Website

mp3: Hot Chip – One Life Stand

#16 – Pavement
The legendary indie rockers played one of their first sets in 11 years, proving both their legitimacy and renewed energy. The show was filled with self-effacing humor, dynamic favorites from their vast catalog, and plenty of moments that reminded the audience of what they’d been missing in the 00’s. The set was a redeeming one as many fans consider their performance at Coachella #1 in 1999 as one of the worst Pavement sets ever resulting from the band being burned out and annoyed with each. Plus Stephen Malkamus almost lost his voice from allegedly scorching his throat on a bad-bong hit.
MySpace|Website

mp3: Pavement – You Are a Light

#17 – MGMT
MGMT have emerged in 2010 as one of the most eccentric band’s on the indie scene with their new release Congratulations (2010). While the audience wasn’t as familiar with the new material, the band didn’t care as they tore through a set of psychedelic wanderings, melodic detours, and Beach Boys-esque harmonies with unabashed ardor. While certainly bizarre, it was hard not to respect the band’s dedication to their evolving sound.
MySpace|Website

mp3: MGMT – Siberian Breaks

#18 – Gossip
Beth Ditto might have been the ultimate diva at Coachella despite her stiff competition, namely from Little Boots’ Victoria Hesketh. Ditto controlled the crowd with her powerhouse vocals, enchanting self-assurance, and unabashed elation. The appropriate response? Grin ear-to-ear and dance along with her.
MySpace|Website

mp3: Gossip – Standing in the Way of Control (Playgroup Mix)

#19 – The Avett Brothers
The Avett’s played a moving set of tunes to an enamored audience soon after the gates opened on Friday. Closing with “I and Love and You”, the band invited the crowd to sing along and sent the audience on their way wrapped in their heartfelt lyrics.
MySpace|Website

mp3: The Avett Brothers – I and Love and You

#20 – Little Dragon
Sweden’s Little Dragon gave off their bizarre sounds topped by Yukimi Nagano’s sultry vocals to sweet response. Filled with synth, ambient noises, and multi-layered musical explorations all backed by a steady beat, the Gobi tent relented, entering their strange world and keeping in the groove.
MySpace|Website

mp3: Little Dragon – Runabout

Coachella’s Official Site

Pretty soon those of us in Indio will be submerged within some of the hottest sounds coming out now. Below are Lux’s picks for Coachella 2010. Sets of top priority include Thom Yorke, Charlotte Gainsbourg, Pretty Lights, Hot Chip, Fever Ray, Passion Pit, Ra Ra Riot, Beach House, Dirty Projectors, Delphic, Jonsi, Phoenix, MGMT and Rusko.

Day 1

Fever Ray – When I Grow Up
Imogen Heap – Little Bird
La Roux – Bulletproof
Passion Pit – Sleepyhead
Public Image Limited – Rise.
The Avett Brothers – Murder in the City
Street Sweeper Social Club – 100 Little Curses
The Whitest Boy Alive – 1517
Vampire Weekend – I Think Ur A Contra
As Tall As Lions – Into The Flood
Gil Scott-Heron – New York Is Killing Me (Featuring Nas)
LCD Soundsystem – All My Friends
Little Dragon – Runabout
Ra Ra Riot – Can You Tell
She & Him – Why Do You Let Me Stay Here_
Sleigh Bells – Crown On The Ground
Pretty Lights – Hot Like Sauce

Day 2

Beach House – Norway
Camera Obscura – French Navy
Corrinne Bailey Rae – Put Your Records On
Dirty Projectors – Stillness Is the Move
Edward Sharpe & The Magnetic Zeros – Janglin
MGMT – Flash Delirium
Flying Lotus – Parisian Goldfish
Major Lazer – Pon de Floor (feat. VYBZ Kartel)
The Dead Weather – I Cut Like A Buffalo
The Raveonettes – Last Dance
Frightened Rabbit – Poke
The Temper Trap – Sweet Disposition (Axwell & Dirty South Remix)
Bassnectar – Bomd the Blocks (Featuring Persia)

Day 3

Charlotte Gainsbourg – Me And Jane Doe
Miike Snow – Sans Soleil
Local Natives – Airplanes
Jonsi – Boy Lilikoi
Thom Yorke – Atoms For Peace
Phoenix – Lasso
Delphic – Counterpoint
Florence & The Machine – Kiss With A Fist
Julian Casablancas – 11th Dimension
Matt & Kim – Daylight
Rusko – Da Cali Anthem
The Middle East – The Darkest Side
Owen Pallett – This Modern Love (Bloc Party Cover)

Coachella’s Official Website

High Places exist within a realm of experimental sounds. Repetitive samples, home-crafted percussion, and minimalist vocals imbue their sparse electronica-pulsating world. The outcome feels both foreign and warm. Mary Pearson and Rob Barber have together created a unique sound steeped in soft, wispy female vocal melodies, brisk beats, and rhythmic lines produced on folk percussion and household objects. It is music inspired by beauty and nature, whose artistry leans towards organic resonances. The subtlety of their music whispers images, allowing the listener to fill the landscapes with their own contemplations. This association might bring to mind the amorphous, dream-inspiring work of Animal Collective’s Panda Bear.

Live, the two create layered recordings with Pearson manipulating her vocals with delay and reverb, playing hand percussion, and creating and controlling various loops. Barber triggers percussive sounds from his drum pads, adds ambient vocals, and plays an array of rhythmic instruments to create the certain tone that is High Places. The songwriting is expansive and fluid, while the musical ideas produced are concise. A state of meditation is encouraged by their creations and this seems apt as Barber has been on record saying that music is pretty much the only thing that calms him down and enables him to relax.

High Places’ self-titled debut was recorded in Pearson and Barber’s Bedford Stuyvesant neighborhood apartment in Brooklyn in 2008. And the music has that true, artsy Brooklyn feel. The two met in 2006, when Pearson was living in Michigan and both were pursuing solo projects. Once she moved to New York, they began collaborating, exchanging ideas and giving each other little bits to work off of and respond to. Their unexpected first performance came in May of 2006, when Rob was offered a gig that he didn’t want to play alone. A demo and U.S. tour dates came soon after. In 2008, the group signed with Thrill Jockey Records to release their debut and, shortly thereafter, a collection of singles under the title 03/07-09/07.

mp3: High Places – Cosmonaut – High Places EP (2007)
mp3: High Places – A Field Guide 1 – High Places (2008)

The band’s most recent record, High Places vs. Mankind (March 2010), offers a new era of the band’s experimental pop. It takes their music to a more densely atmospheric place with slow dance-heavy grooves. The sound is more mature, more complex, with Pearson’s voice more prominently set against High Places’ thick psychedelic landscapes.

The recently transplanted from Brooklyn to Los Angeles where they frequent the mountain-filled parks that now surround them. The pair’s name actually refers to a place where one has a better vantage point and can gain broader perspectives, so this spot seems apt. Their music tends to speak of their love of mountains, rooftops, and other metaphorically high places. Yet the sounds of the city aren’t far away, which likely prompt the ever-present looping of industrial utterances within their music.

mp3: High Places – On a Hill in a Bed on a Road in a House – High Places vs. Mankind (2010)

The duo is on a U.S. tour and will stop this Wednesday at the Hi-Dive in Denver.

High Places’ upcoming tourdates:

Mar 30 – Kilby Court, Salt Lake City, Utah
Mar 31 – Hi Dive, Denver, Colorado
Apr 1 – Slowdown Jr., Omaha, Nebraska
Apr 2 – Triple Rock Social Club, Minneapolis, Minnesota
Apr 3 – Schubas, Chicago, Illinois
Apr 5 – PJ’s Lager House w/ City Center, Detroit, Michigan
Apr 7 – Kungfu Necktie, Philadelphia, Pennsylvania
Apr 8 – Market Hotel, Brooklyn, New York
Apr 9 – Mass Art, Boston, Massachusetts
Apr 10 – Diamond Junction Bowling Lanes, Palmer, Massachusetts
Apr 16 – May 21 – Europe

This video shows one of the High Places’ early performances in NYC.

MySpace | Website

Ahh, SXSW. This 4-day conference and music festival has taken over as my favorite event of the year. Nowhere else can you experience the sheer quantity of quality artists, both high profile and emerging, back to back, all day and night long. Checking schedules for the day parties and evening showcases, running back and forth along the crowded streets between venues, wolfing down BBQ, and battling to see as much music humanly possible is the task. The reward is witnessing killer sets on intimate stages surrounded by audiences who care deeply about what is happening in music now.

Here are the 60 artists I caught this year: Band of Horses, Best Coast, Big Light, BRAHMS, Broken Bells, Broken Social Scene, Cymbals Eat Guitars, Dam-Funk, Dawes, Delorean, Dengue Fever, Diplo, Estelle, Fat Mike, First Aid Kit, Free Energy, Freelance Whales, Frightened Rabbit, Hey Champ, Hole, Holy Fuck, Japandroids, jj, Lissie, Lord T & Eloise, Macy Gray, Major Lazer, Maluca, Mayer Hawthorne & The Country, Memory Tapes, Miike Snow, Muse, Nas & Damian Marley, Neon Indian, Nick Catchdubs, Pase Rock, Phantogram, Real Estate, Rival Schools, Rogue Wave, Salem, Sharon Jones and the Dap-Kings, Sleigh Bells, Solid Gold, Stardeath & White Dwarves, Stars of Track and Field, Street Sweeper Social Club, Surfer Blood, The Antlers, The Asteroids Galaxy Tour, The Black Keys, The Glitch Mob, The Low Anthem, The Walkmen, The xx, Titus Andronicus, Tobacco, and Uffie, and Yourself and The Air.

Now for the highlights…

Broken Bells
Hometown: New York, NY
The band’s first performance at SXSW was in a parking garage across from Stubb’s as part of AOL Spinner’s pop-up show series. It was completely epic to see the band perform in such an obscure spot. Bizarrely enough, the sound was sonically blissful. James Mercer and Dangermouse along with their explicitly skilled band played some of the best music I’ll hear all year. Their woozy, psychedelic pop sounds even better live than on record.
MySpace | Website

Nas & Damian Marley
Hometown: New York, NY / Kingston, Jamaica
The smoky haze and resulting vibe in Emo’s Main Room was the perfect environment for skilled hip-hop lyricist Nas to ride atop the all-for-love energy of Damian Marley’s and his band. The gorgeous sounds of resounding djembe, female back up vocalists, and the Marley legacy contrasted with the Nas’ rhapsodic power felt legendary. Look out for their upcoming album, Distant Relatives.
MySpace | MySpace

mp3: Damian Marley & Nas – As We Enter – Distant Relative (April 20, 2010)

Band of Horses
Hometown: Seattle, WA
The magic of Band of Horses dense musical glory was surely felt in Stubb’s on Thursday evening. The band seems to be at the height of their live performance and I recommend catching them now.
MySpace | Website

mp3: Band of Horses – Is There A Ghost – Ceases to Begin (2007)

Broken Social Scene
Hometown: Toronto, Canada
I caught two sets by BSS, one at Stubb’s and the second at The Parish as part of the Arts & Crafts Showcase. The gorgeous complexity of their music was awing at Stubb’s and they played a large array of tracks off their forthcoming album Forgiveness Rock Record. The Parish proved to be an entirely intimate experience as I suspected. The energy inside the 425 cap room as the band announced their plan to play a 2.5-hour set was infinitely special. Kevin Drew asked the crowd to put down their cell phones and cameras and to exist with him and the band in the moment. “Just enjoy the music,” encouraged Drew. They played songs live for the first time, created suspense regarding “unknown” guests (The Beauties from Toronto), and strummed through an array of classic BSS songs in a wholly raw fashion. By the end of the night, there were only 150 left in the room, making it feel as though we were catching an early career performance.
MySpace | Website

Free Download of “World Sick”
mp3: Broken Social Scene – World Sick – Forgiveness Rock Record (May 4, 2010)

The Black Keys
Hometown: Akron, OH
I had yet to be converted into a Black Keys fan until I ended up on Mohawk Patio for the band’s MOG party performance. Halfway through the 75 minute set, I was a true believer. Dan Auerbach and Patrick Carney’s impeccable musicianship and moving bluesy rock imbued with tangible metal influences produced one of the most exciting moments of my 2010 SXSW experience.
MySpace | Website

mp3: The Black Keys – Tighten Up – Brothers (May 18, 2010)

Muse
Hometown: Devon, England
The British prog-pop stars played MySpace’s “Secret” SXSW Show at Stubb’s on Saturday night. Big energy from a big band that I never thought I’d see live, especially in a 3000 capacity outdoor setting. Epic.
MySpace | Website

First Aid Kit
Hometown: Stockholm, Sweden
This Swedish female folk duo was more special than I could have imagined live. Sisters Klara and Johanna Soderberg accompanying their impassioned vocal harmonies with guitar and synth as they played through woodsy song from their recent album, The Big Black & The Blue (2010), was an epic treat. Sweden is currently producing incredibly innovative and relevant music.
MySpace

mp3: First id Kit – Hard Believer – The Big Black & The Blue (2009)

Neon Indian
Hometown: Austin, TX
I hadn’t yet joined the swarms exclaiming about Neon Indian, but after their psychedelic indoor set as part of the Pitchfork/Windish party at Emo’s JR, my opinion shifted. The band’s dance electro wanderings are more poignant than I had imagined.
MySpace

mp3: Neon Indian – Terminally Chill – Psychic Chasms (2009)

The Asteroids Galaxy Tour
Hometown: Copenhagen, Denmark
Potentially one of my favorite finds at SXSW, The Asteroids Galaxy Tour from Denmark, provided an entirely captivating experience on the Billboard outdoor stage. Not only is Mette Lindberg likely the hottest performer in her Nordic country, but her rich and boisterous voice triumphantly meets her alluring stage appeal. As my brother aptly stated, it’s Parliament Funkadelic in blonde waif form.
MySpace

mp3: The Asteroids Galaxy Tour – Around the Bend – Sonic Arts Ep (2008)

Hey Champ
Hometown: Chicago, IL
Another lucky find came in the form of Hey Champ. I was immediately lifted by the electro-synth-dance-rock trio’s boundless energy. The set was filled with impeccable drumming and dramatic interplay onstage and with their aggressively exuberant audience.
MySpace | Website

mp3: Hey Champ – Cold Dust Girl – Cold Dust Girl (2009)

Free Energy
Hometown: Philadelphia, PA
I only caught a couple songs from Free Energy, but I got it right away. Love their form of hook-laden rock that’s both glammy and classic. The explosiveness of the entire band yelling of “Bang Bang Pop Pop!” and lead singer Paul Sprangers shaping the curves of a female figure in the air while singing “cherry lips and long hair” is a lasting memory. I’m craving more.
MySpace

mp3: Free Energy – Bang Pop – Stuck On Nothing (2010)

Freelance Whales
Hometown: Queens, NY
While I like the tracks I’ve heard from the band’s studio album, Weathervanes (April 2010), significantly more than what I experienced live inside the Paste party at the Galaxy Room, it was certainly a treat to catch a band that we’ll be hearing a lot from over the next year. Their pop-driven folk rock with its precarious arrangements has lasting appeal. Together the fivesome created interlocking rhythmic patterns beneath lush textural layering and group vocals. The band used whatever musical gadgets they could get their hands on during the set including harmonium, banjo, glockenspiel and water phone on top of synthesizers, guitars, bass and drums. Did anyone else hear the lead singer say that it’s not such a good idea to roll in Austin as sweat was pouring down his face?
MySpace | Website

mp3: Freelance Whales – Hannah – Weathervanes (April 13, 2010)

Big Light
Hometown: San Francisco, CA
I managed to see around 45 bands by the time I caught Big Light’s set on the Galaxy Room’s patio. Their raging set of thoughtful indie-driven rock outshone many of the hyped artists performing over the weekend. It won’t be long before this incredible group gets its just due.
MySpace | Website

mp3: Big Light – Monster – Animals in Bloom (2010)

Estelle
Hometown: London, England
It was high on my list to see this Brit soul-rapper live and the set was worth the effort. Estelle was super high energy as she went off about cheating boyfriends and made sure the audience was enjoying themselves, including playfully threatening to come down into the crowd if it appeared anyone wasn’t having fun. She raged her hit song “American Boy” and deftly covered Coldplay’s “God Put A Smile On Your Face”.
MySpace | Website

Hole
Hometown: Los Angeles/London
Courtney Love is another artist I never thought I’d see live. I managed to catch Hole’s first live show in over a decade as part of the SPIN party at Stubb’s. Love’s girl garage rock unexpectedly seemed rather relevant despite the hiatus and he looked more attractive and alive that I could have imagined. Her stage banter was raucous as usual. She introduced her 2nd to last song as being the kind of song you write when you’re getting off dope and got righteously pissed off when she found out they only had time for one more. At the closing of the set she apologized to the audience for not stage-diving, saying she was too elderly!! Hilarious.
MySpace | Website

mp3: Hole – Skinny Little Bitch – Nobody’s Daughter (April 27, 2010)

Miike Snow
Hometown: Stockholm, Sweden
Miike Snow’s performance on the Galaxy Room Patio was truly the most out of this world show I experienced at SXSW. It’s difficult to know what to make of the combination of potent, layered synth-heavy electro topped with highly emotive, hippy-folk vocals, but the experience is one to be had.
MySpace | Website

mp3: Miike Snow – Sans Soleil – Miike Snow (2009)

Tobacco
Hometown: Parts Unknown
I stumbled in on Black Moth Super Rainbow’s frontman Tom Fec (aka Tobacco) performing a gem performance at Emo’s Annex as part of IODA’s day party. Ironically, a highly talented girl on synth contributed more than half of what was so compelling about Tobacco’s set. The duo is a must see for those moved by glitchy, synth heavy electronica.
MySpace

mp3: Tobacco – Dirt (featuring Aesop Rock) – Fucked Up Friends (2008)

Stars of Track and Field
Hometown: Portland, OR
This band has been one of my favorites since 2007 and I catch them as often as I can, which unfortunately is quite infrequent due to their spurts of inactivity. The band played their best version of highly layered indie rock within The Parish on Saturday night. I’m consistently amazing at the vastness of sound that comes from this trio. I get completely lost inside.
MySpace

mp3: Stars of Track and Field – Movies Of Antarctica – Centuries Before Love and War (2006)

Frightened Rabbit
Hometown: Selkirk, Scotland
I’m as taken as most by this folk rock band from Scotland and their urgent songs dealing with emotional turmoil. The effect of Scott Hutchinson’s plaintive and passionate vocals is devastating The quality of sound in the Galaxy Room during their appearance at the Paste party left much to be desired, but the band’s raw spirit came through.
MySpace | Website

mp3: Frightened Rabbit – Swim Until You Can’t See Land – The Winter of Mixed Drinks (2010)

Titus Andronicus
Hometown: Glen Rock, NJ
A more raw, ruthless, energetic, and punk form of Bright Eyes is how I might best describe Titus Andronicus. Kept trying to leave their set to check out the next show, but Titus kept drawing me back in with their defiant vocals, heavily distorted guitars, and rambunctious, I don’t give a f**k attitude.
MySpace | Website

mp3: Titus Andronicus – A More Perfect Union – The Monitor (2010)

Phantogram
Hometown: Syracuse, NY
Within the gorgeous IFC studio with its vibe-inducing blue-lighted backdrop (designed by Niki Eways of Nikipedia), the girl/boy, synth/guitar duo created another reality with their downtempo trip-hop for the intimate 50-person crowd.
MySpace

mp3: Phantogram – Mouthful Of Diamonds – Eyelid Movies (2010)

Street Sweeper Social Club
Hometown: Los Angeles, CA
SSSC’s is Tom Morello’s best project to date since his days with Rage Against The Machine. The band had all the energy and attitude of Rage with Boots Riley from The Coup turning it hip-hop style. The crowd was rowdy, just as they should have been, and Morello’s guitar skills were jaw-dropping as always.
MySpace | Website

mp3: Street Sweeper Social Club – 100 Little Curses – Street Sweeper Social Club (2009)

Major Lazer
Hometown: Jamaica (hmm…)
I knew Major Lazer was a nationwide sensation, but give it to SXSW to enable me on a whim to experience that up close and personal. Honestly it was the spectacle of hypeman Skerrit Bwoy jumping around and his hot bikini clad counterpart Mimi doing things such as bouncing her butt in a tri-pod headstand that took the set to its ultra-high level. Unfortunately, no Switch.
MySpace | Website

mp3: Major Lazer – Pon de Floor (feat. VYBZ Kartel) – Guns Don’t Kill People… Lazers Do (2009)

Diplo
Hometown: Philadelphia, PA
After the Major Lazer set, I caught Diplo at the Mad Decent/I HEART COMIX/Jelly NYC After Party. The affair was dying by the time I’d arrived, but Diplo had it going on. Packing his back to get on a 7am flight while intermittently joining the DJ on hand and shooting his finger in the air and at the crowd to pick the energy back up was insane. Yep, Diplo’s ultra cool.
MySpace

mp3: Diplo – Smash a Kangaroo – Decent Work for Decent Pay (2008)

And here are the artists I’m bummed to have missed, but you can’t see everything at SXSW, though you might try: Ra Ra Riot, Local Natives, Oh No Ono, Fanfarlo, Bachlorette, Wye Oak, Ortolan, Rafter, The Very Best, Javelin, Jookabox, Anais Mitchell, Joshua James, The Black Angels, Pretty Lights, Passion Pit DJs, Diamond Rings, Washed Out, Twin Sister, Matt Morris, Beats Antique, The Cool Kids, Grace Potter & The Nocturnals, Lights, Evan Dando, Chiddy Bang, Snoop Dogg, Stone Temple Pilots, Chamillionaire.

Like any great album should, Big Light’s full-length debut Animals in Bloom (2010) draws me in more completely with every listen. The songs endlessly unravel as one’s ears open to the nuances. I’ve been enamored with the band since they debuted in San Francisco near the end of 2007 and it’s all in the combination. Skillful songs, prodigious musicianship, and a certain sincerity. It’s the kind of music you want to sit back and take in and also the kind that you want to move to and lose yourself within. It’s the best of all genres, melding the weight of rock, the earnestness of folk, the edginess of indie, and the transcendental psychedelia of jam. The band’s sound is easy to love and hits with an immeasurably depth. As my friend Melissa and I would say to each other back then, “Big Light plays just the kind of music I want to hear.”

From the grittiness of “Triceratops”, to the tenderness of “Departed”, to the touching words, melodies, and guitar riffs of “Rainbow Eyes”, Animals in Bloom gets inside. “Good Time of the Year”’s youth-filled intimacy is undeniable and “Monster” strikes with washes of sound. “Heavy” just tears it all apart. It’s not just the raging guitars that send you to oblivion but the band as a whole progressing, ripping, lying deep within the groove. Unabating until the raging finale moments of “Bonebreaker”, the album is a solid realization of Big Light’s limitless potential. The album’s lyrics are poetic, pensive, inspiring and filled with color. The songs catch inside your head and refuse to let go. It’s intimate and makes you feel included.

mp3: Big Light – Monster
Stream more tracks: Good Time of the Year, Triceratops, Panther, Caution

The San Francisco foursome features Fred Torphy (lead vocals, guitar, songwriting), Bradly Bifuclo (drums), Steve Adams (bass, vocals) and Jeremy Korpas (lead guitar, vocals). After several shifts in lineup, this band feels like the one Torphy needs to convey what’s inside his head. Torphy’s voice morphs from track to track all the while staying endearing and real. And his guitar solos soar. Bradly Bifulco contributes a strength of foundation and depth that stands out on every song. ALO’s Steve Adams exemplifies what this incredible player can do when offered an alternate existence. And the most recent addition of Jeremy Korpas seals the force of Big Light. Korpus’ ripping playing which has earned him the name “Swordfish”, raised the bar of Big Light’s musicianship, allowing the band to travel where it was ready. A nod to the benefit of timing and luck, Korpas’ inclusion came by chance after needing a place to crash when first moving to SF. By way of a friend he landed on Torphy’s couch and later joined the band. Together these four individuals gesture gratitude to the great bands that inspired them – Dr. Dog, The Slip, Wilco, and My Morning Jacket – yet seamlessly unite to create a sound that is undeniably Big Light.

Yesterday, I got to chat with songwriter Fred Torphy about the album…

How does the current state of Big Light compare to what you imagined when you originally formed the band?
Torphy: Probably closer to what I imagined it being. More professional and cohesive and focused. That was something we had to work for, a permanent lineup. You saw a lot us in the formative days. It was sprawling then and you never knew who was actually going to play. That was always really hard to deal with as a bandleader. All the coming and going of the personal and getting the band staffed probably. You don’t want to push any of those things. It needs to happen on its own. Give it time. That happening was cool. I’m just stoked that it’s where it’s at right now. And that we are more lean and mean. More focused.

Are there any unseen insights into the album that you want to share?
Torphy: Mechanically we got really experimental and went deep. There are sounds you might not hear unless you’re listening on headphones. There are all of these undercurrents of noise that prevail from the beginning to the end. We capture sounds that aren’t musical in some senses. Detuning ukuleles or dropping an amplifier on the ground so that it makes a crazy thunderous sound. We put ghosts in the recording so that they could be heard later when someone is listening a little closer.

The one thing that probably nobody one knows is that there’s one guitar amp that we ended up using for 90% of the record that we got from this dude who lives in an apartment that’s next to the studio where we recorded. He’s this guy Kidd Candelario, Jerry Garcia’s right hand man for like 30 years, his guitar tech and all this stuff, and he has a bunch Jerry Garcia’s old gear. He gave us this Fender Twin that had belonged to Jerry and that Jerry used on stage for a really long time. We went back and looked at pictures and saw this thing. We had this modified Fender Twin that was Jerry Garcia’s primary guitar amp and we used it in every situation imaginable because it was cool… it sounded so different from everything else because it was modified for him. It was really loud and you could do crazy shit with it. It was fun playing with that thing. The history, recording the album in San Francisco… We’re not a Grateful Dead leaning band at all in any respect. I mean we like improvisation, we love that band, but they aren’t a model for Big Light in any way. But we did love using that guitar amplifier to make all the cool guitar sounds.

Who’s singing the words before the chorus on “Rainbow Eyes”?
Torphy: We call that the “gang vocal”. Our friend Ty Roberts and his family, Sabrina & Ted, Chris Joseph, Ray (Bradly’s wife)… There are probably 40 voices. We threw a whiskey and pizza party one night in the studio and invited our supporters and friends and asked them all to yell “rainbow eyes”.

Below is a teaser for Animals in Bloom featuring studio and tour footage and clips from their December ‘09 performance at San Francisco’s Fillmore Auditorium, all set to an excerpt of the new track “Triceratops”.

For Big Light, club dates have translated into high profile gigs, including appearances at Outside Lands, Noise Pop, Wanderlust, and High Sierra and at renowned California venues such as the Troubadour and The Roxy in Los Angeles and The Fillmore in San Francisco. They’ve also been placed on bills with Spoon, Broken Social Scene, The Mother Hips, Dead Confederate, Surprise Me Mr. Davis, Everest and Howlin Rain. As a fan from the beginning, it’s truly exciting to stand back and watch Big Light constantly progress and evolve at such an electrifying rate and receive due recognition for their musical journeys. Big Light’s CD Release tour for Animals in Bloom kicks off with a performance at San Francisco’s Independent on March 4th (TODAY!).

Mar 4 – The Independent, San Francisco, CA – Animals In Bloom Release Party w/ Guns for San Sebastian and Everest
Mar 5 – 50/50 Brewery, Truckee, CA
Mar 11 – The Saint, Asbury Park, NJ
Mar 13 – Sullivan Hall, New York, NY
Mar 17,18,19,20 – SXSW, Austin, TX
Apr 8 – Crystal Bay Casino, Crystal Bay, NV
Apr 16 – Cooper’s, Nevada City, CA
Apr 17 – South Lake Tahoe Earth Day Festival, South Lake Tahoe, CA
July 1,2,3,4 – High Sierra Music Festival, Quincy, CA

Animals in Bloom is for sale on the Big Light’s website, at Amazon, and on iTunes where you can download the added bonus track of “Piece Together Wings”, co-written with Nathan Moore and featuring Dan Lebowitz (ALO) on pedal steel. Jeremiah Kille of Conspiracy Surfboards created the memorable album artwork for Animals in Bloom. Check out more of Jeremiah’s work.

Purchase from Big Light: Animals in Bloom

Download through iTunes (and get the bonus track)

Download through Amazon: Animals In Bloom

MySpace | Website

For those of you already enamored by The Avett Brothers and especially those who aren’t yet, check out this view of “Murder in the City”. It captures the brothers candidly sharing their song about family. The video is frank and touching, sweet and intimate. The song is off of The Second Gleam EP (2008).

Their upcoming tour begins at the end of the month and takes the Avetts across the states and beyond to both Europe and Australia.

mp3: The Avett Brothers – Murder in the City – Second Gleam EP (2008)

MySpace | Website

Download through Amazon: The Second Gleam

Denver-based songwriter/singer/musician, John Common and his band, Blinding Flashes of Lights, will be debuting their new record, entitled Beautiful Empty, at Casselman’s in Denver, CO on January 16th, 2010. The CD release will be a collaborative event that offers independent music, film and visual art, all related to and inspired by the new record. The band features John Common (vocals/guitar/keys), Jess DeNicola (vocals), Wes Michaels (cello/sax), Adam Revell (keys), Jimmy Stofer (bass/vocals) and Carl Sorensen (drums). The band will be joined on stage by a string section and other musical guests. Also playing that night are two popular Colorado artists, both who are superb: Achille Lauro and Danielle Ate the Sandwich.

Tickets are $15 presale and include an exclusive bonus EP (digital download), a copy of the new CD (given at the door) and other surprises on the night of the show. Tickets are $20 day of show and come with a copy of the new CD and the fabulous surprises, but no bonus track.

Earlier this fall a collaborative short film festival was organized for this event, named the Beautiful Empty Short Film Conspiracy. A call went out to Colorado-based independent filmmakers who shot and submitted their short films, all inspired by and incorporating songs from Beautiful Empty. A handful of the most interesting short films will be shown throughout the night of the CD release.

The event will also feature box art by 60 artists from across the U.S. who were invited to create unique works of art inspired by what would eventually become the new record, Beautiful Empty. Each artist was sent a simple wooden box, along with early stage lyrics, images and music. They then mixed it all together into a beautiful collaboration called the Common Box Project. The final exhibit of the Common Box Project will happen the night of the CD release inside the venue. For more information visit .

Date: Saturday, January 16th, 2010
Location: Casselman’s Bar and Venue (26th and Walnut, Denver, CO)
Music: John Common & Blinding Flashes of Light, Achille Lauro, Danielle Ate the Sandwich
Film: The Beautiful Empty Short Film Conspiracy
Art Exhibit: The Common Box Project
Tickets: $15 presale / $20 day of show. Price of ticket includes a copy of the new CD, other surprises and an exclusive bonus EP (digital download) for those who buy tickets in advance
Doors: 7pm / Show starts at 7:30pm
Ages: 21+
Buy tickets: Casselman’s | John Common

Listen to some gorgeous tracks off the new album. It is thoughfully written and the vocal harmonies between Common and DeNicola are almost as stunning here as they are live.

mp3: John Common – Good Heart
mp3: John Common – Turnaround
mp3: John Common – Love Is A Shark

MySpace | Website

Download through Amazon: Beautiful Empty

Amy Winehouse – Back to Black (2007)
This fearless and truthful release from British soul-singer Amy Winehouse startled listeners with its irresistible depth and retro sound. The gorgeously produced Back to Black is arguably one of the best soul albums of the decade and can withstand countless listens. This saucy siren won’t let you go.
mp3: Amy Winehouse – You Know I’m No Good
mp3: Amy Winehouse – Wake Up Alone
mp3: Amy Winehouse – He Can Only Hold Her
Download Back To Black
MySpace | Website

Radiohead – In Rainbows (2007)
Radiohead reinvent themselves yet again. Accentuated electronics, Yorke’s urgent lyrics and haunting vocalizations, combined with the band’s peerless craftsmanship fill In Rainbows.
mp3: Radiohead – 15 Step
mp3: Radiohead – House Of Cards
mp3: Radiohead – Down is the New Up
Download In Rainbows
MySpace | Website

Sigur Ros – Med sud I eyrum vid spilum endalaust (2008)
The Icelandic title translates to “With a Buzz in Our Ears We Play Endlessly”. Med’s soothing and euphoric post-rock pop creates aural landscapes, bursting with swelling beauty, soaked in Jonsi’s majestic falsetto vocals.
mp3: Sigur Ros – Gobbledigook
mp3: Sigur Ros – Inni mer syngur vitleysingur
mp3: Sigur Ros – Godan daginn
Download Med sud I eyrum vid spilum endalaust
MySpace | Website

Lily Allen – Alright, Still (2007)
This album had me rocking out in my car during many of those 2007 summer months. Allen’s smart alec, sassy attitude is emphatic. Her explosion on the scene as one of Britain’s superstars might put off some, but it’s hard not fall for her well produced brand of bouncy, horn heavy, ska-inspired pop.
Check out “Smile”, “LDN”, “Nan You’re A Window Shopper” – explicit! (can’t post!)
Download Alright, Still
MySpace | Website

Brett Dennen – Hope for the Hopeless (2008)
Brett Dennen inspires me. His lyrics are entirely well considered and thought provoking, and his positive, dynamic melodies are hard to deny. “Make You Crazy”, featuring Femi Kuti, is the true gem here, gorgeous in it’s entirety, speaking about our untrustable government, prisons, child soldiers, and how people treat each other to get ahead. The songs soar, speaking of love, hope, home and peace. “San Francisco” is thoroughly nostalgic especially if you’ve taken any time to get to know Dennen’s amazing city.
mp3: Brett Dennen – Make You Crazy
mp3: Brett Dennen – Wrong About Me
mp3: Brett Dennen – San Francisco
Download Hope For The Hopeless
MySpace | Website

Vampire Weekend – Vampire Weekend (2008)
This album is pure fun, filled with memorable hooks and cheer-inspiring melodies. Once you get past the hype and realize that the music is anything but pretentious, it’s hard not to get carried away by VW’s joyously infectious, savvy lyrics, and crisp pop sound.
mp3: Vampire Weekend – A-Punk
mp3: Vampire Weekend – M79
mp3: Vampire Weekend – The Kids Don’t Stand A Chance
Download Vampire Weekend
MySpace | Website

Animal Collective – Merriweather Post Pavilion (2009)
By far my favorite release of the year. Since their inception, Animal Collective has wandered the territorial edges of music, seeking out boundaries previously erected and looking beyond them. They’ve imbued gorgeous indie songs with peculiar vocals and irritating noises, contrasted West African rhythms with British folk melodies, and have hung on a single chord for what seems like eternity. Merriweather feels like a culmination of all of these explorations, achieving a sound that is both accessible and thoroughly innovative. Finally an Animal Collective album that I’m moved to listen to all the way through -hooky and pop drenched in swirls of psychedelia, heavy with sonic texture.
mp3: Animal Collective – My Girls
mp3: Animal Collective – Summertime Clothes
mp3: Animal Collective – Brothersport
Download Merriweather Post Pavilion
MySpace | Website

Phoenix – Wolfgang Amadeus Phoenix (2009)
The danceable, catching indie rock of Phoenix is perfectly featured on their newest release. The tight grooves of the band’s electrifying synth pop flow loudly behind Thomas Mars’ smooth and all the while urgent vocals. Wolfgang is brilliantly sleek with sonic texture, putting the band on the map as one of the most exciting groups to blow up stateside this year.
mp3: Phoenix – Lisztomania
mp3: Phoenix – 1901
mp3: Phoenix – Lasso
Download Wolfgang Amadeus Phoenix
MySpace | Website

Built to Spill – There Is No Enemy (2009)
On There is No Enemy, Built to Spill investigates an aesthetic they’ve created and honed over the years, revolving around Doug Martsch’s soft, yet penetrating vocals swimming in a bath of refracting guitar tones. The band again finds a new and interesting way to approach their sound making this my favorite BTS album since 1999’s Keep It Like A Secret.
mp3: Built to Spill – Aisle 13
mp3: Built to Spill – Hindsight
mp3: Built to Spill – Nowhere Lullaby
Download There Is No Enemy
MySpace | Website

The Shins – Chutes Too Narrow (2003)
This album is quintessentially The Shins. Cryptic lyrics filled with poetic imagery, overlapping guitar and vocal melodies, and mountains of hooks, pervade their inventive and challenging style of pop music, creating an entirely unique piece of art.
mp3: The Shins – Mine’s Not A High Horse
mp3: The Shins – So Says I
mp3: The Shins – Gone For Good
Download Chutes Too Narrow
MySpace | Website

Modest Mouse – The Moon And Antarctica (2004)
The tracks on The Moon and Antarctica are groundbreaking, hypnotic, sublime and expansive. Modest Mouse is able to successfully instill even the most desolate musical climates with warmth and emotion. Here they achieve an album, not solely a collection of songs.
mp3: Modest Mouse – 3rd Planet
mp3: Modest Mouse – Gravity Rides Everything
mp3: Modest Mouse – Wild Packs Of Family Dogs
Download The Moon & Antarctica
MySpace | Website

Rilo Kiley – More Adventurous (2004)
This album captures the essence of Rilo Kiley – introspection, humor, and defiance all riding on sweet melodies and raging superbly executed guitar. It’s gorgeous, textured indie pop with singular, yearning vocals from a saucy albeit wise Jenny Lewis riding on exceptional musicianship.
mp3: Rilo Kiley – It’s A Hit
mp3: Rilo Kiley – Portions For Foxes
mp3: Rilo Kiley – A Man/Me/Then Jim
Download More Adventurous
MySpace | Website

Metric – Live It Out (2005)
The smart, fierce pop rock of Metric is sophisticated, gusty, and filled with razor-sharp social commentary. Their 2nd album powerfully showcases it all. Emily Haines viciously glimmers.
mp3: Metric – Empty
mp3: Metric – Handshakes
mp3: Metric – Police And The Private
Download Live It Out
MySpace | Website

My Morning Jacket – Z (2005)
When Z came out all I wanted was wrap myself in the sonic blissfulness of “Wordless Chorus”. MMJ’s 4th album sees the band proceeding forward without fear or shame, shaping a sound distinctly their own. Fiery guitar, folk-inspired melodies, soaring rock passages, and psychedelic flashes marry sublimely with Jim James’ legendary vocals.
mp3: My Morning Jacket – Wordless Chorus
mp3: My Morning Jacket – It Beats 4 U
mp3: My Morning Jacket – Off The Record
Buy Z
MySpace | Website

Thievery Corporation – The Cosmic Game (2005)
My favorite of Thievery’s releases, The Cosmic Game, incorporates flawlessly fused collaborations from vocalists such as David Byrne and Wayne Coyne atop lush, down-tempo beats, dub, and sounds, melodies and instrumentations from around the globe.
mp3: Thievery Corporation – Satyam Shivam Sundaram (featuring Gunjan)
mp3: Thievery Corporation – Warning Shots (featuring Sleepy Wonder and Gunjan)
mp3: Thievery Corporation – Holographic Universe
mp3: Thievery Corporation – The Heart’s A Lonely Hunter (featuring David Byrne)
Download The Cosmic Game
MySpace | Website

Band of Horses – Everything All The Time (2006)
From the opening chords of Everything All The Time to the final honeyed melodies, this album is a true beauty. Ben Bridwell’s voice penetrates each song, riding on the dense, textured layers of Band of Horses enchanting rock reverberations.
mp3: Band of Horses – The First Song
mp3: Band of Horses – The Funeral
mp3: Band of Horses – St. Augustine
Download Everything All The Time
MySpace | Website

Thom Yorke – The Eraser (2006)
The pulsating beauty of Thom Yorke’s solo debut is dazzling. Dark, hopeful, and glitchy, The Eraser washes over you like a sonic storm.
mp3: Thom Yorke – The Eraser
mp3: Thom Yorke – Black Swan
mp3: Thom Yorke – Atoms For Peace
Download The Eraser MySpace | Website