Archive for the “Electro” Category
From my ears to yours… mp3: Baths – You’re My Excuse to Travel
Nov
22
2010
 
Bear Hands Release Hypnotic Debut LPPosted by Lux in Album Reviews, Electro, Indie, Pop, Songs, Upcoming Tour, Video
Brooklyn-based indie-rockers Bear Hands have been working the scene since they emerged in 2006 and broke out as a New York buzz band in 2007, after the release of their debut EP. Four year straight at CMJ and three years at SXSW plus opening slots for a number of influential indie artists have provided them fresh fans along the way, but the release of their first LP, Burning Bush Supper Club (Cantora Records, 2010) is the long-awaited piece solidifying the band’s locale on the indie map. Bloggers went crazy for the album’s two singles, “Crime Pays” and “What A Drag”. The full record was released into the atmosphere on November 2nd. Like fellow labelmates MGMT, Bear Hand formed as a result of their Wesleyan University connection. All four members graduating from the Connecticut school. TJ Orscher (drums/vocals) and Val Loper (bass/percussion) used to be members of an emo hardcore band called In Pieces. In August of 2006, Rau (vocals/guitar/keyboard), arguably one of their biggest fans, asked the two to flesh out some of his musical ideas and record a demo with him. The three rapidly realized that there was potential for a band and Bear Hands was born. Ted Feldman (guitar/percussion) joined soon after to fill out the sound. The four members of Bear Hands grew up listening to punk music and together meld those young influences into their driving, melodic, and vocal rock heavy explorations. The band’s quirky, hook-filled new record is filled with distorted, reverb heavy guitar lines, pulsing beats, and Rou’s soulful falsetto. His gritty, strangely melodic vocals bring up comparisons to Modest Mouse’s Isaac Brock and MGMT’s Andrew VanWyngarden. Abstract lyrics also form the basis of BBSS and lend to its artfulness. “Tablasaurus”’s cryptic lines meld with layers of sound atop a hypnotic tabla sample. The album ebbs and flows between atmospheric tracks like the deeply textured “Wicksey Boxing” and the slow-building “Julien” and rock-heavy screamers like “Blood and Treasure”. “What A Drag”, the album’s standout pop track, contains solid images that tease and pull you until the song’s infectious chorus about her “goddamn long nails” forcefully hits. mp3: Bear Hands – What a Drag The band’s sound has evolved since the release of the Golden EP in 2007. The band’s early instrumentation was founded upon two guitars, bass and drums. Since then, the songs have become more danceable and rhythmically oriented with additions of keyboards, samplers and programmed drums. This was partly due to the influence of Chuck Brody (Lykke Li, Santigold) who produced both albums. Over the past three years, Bear Hands has opened for a long list of indie sensations including MGMT, Vampire Weekend, The XX, Les Savy Fav and has toured across North American and Europe with Passion Pit, Obits, We Were Promised Jet Packs, Hockey, Manic Street Preachers, and Mayer Hawthorne and The County. Dylan Rau was classmates at Wesleyan with MGMT’s Andrew VanWyngarden and Ben Goldwasser, who selected Bear Hands on numerous occasions to be one of their opening acts. Bear Hand’s shows are known to be deeply powerfully and sonically textured. Stop by the Larimer Lounge to catch them live on Wednesday, November 24th. The band will be finishing up their fall tour at locales across the midwest and northeast through mid December. 11/24 – Larimer Lounge, Denver, CO
“What A Drag” You’ve got them long nails, I’m dreaming of your god damn long nails. Listening is really just a valueless deed. You’ve got them long nails, I’m dreaming of your god damn long nails. Download Burning Bush Supper Club through iTunes
Oct
23
2010
Gorillaz: Plastic Beach’s full-color worldPosted by Lux in Album Reviews, Dance, Electro, Favorites, Featured Bands, Pop, Songs, Video
Leave any attachment to cartoon characters behind. Damon Albarn and Jamie Hewlett’s animated oddballs served as an interesting concept at the onset and propelled the intrigue of their project into the mainstream, but on the third Gorillaz release, Plastic Beach (2010), it seems they’ve left behind the idea that Gorillaz is purely a vehicle for a cartoon fronted federation. The former Blur frontman has transcended the futuristic wiliness of the original image, creating one of the best records of 2010, one that is innovative, powerful, eclectic, and soulfully diverse. Truth be told. Gorillaz are real. Damon Albarn and British cartoonist Jamie Hewlett started the fictional cartoon band in 1998. The band was instantly successful with their self-titled debut album (2001) which included songs “19-2000″ and “Clint Eastwood”. The concept band was composed of four animated members: 2D (lead vocalist, keyboard), Murdoc Niccals (bass guitar), Noodle (guitar, keyboard, and occasional vocals) and Russel Hobbs (drums and percussion). The character’s fictional universe is explored throughout the band’s website and music videos. The due released Demon Days (2005) with smash hit “Feel Good Inc.” and “Dirty Harry” and five years later, Plastic Beach. Filled with guest cameos from the likes of Snoop Dogg, Lou Reed, De La Soul, and the enigmatic Little Dragon, Plastic Beach rides on the formidable musicality and flawless production Gorillaz lovers have come to rely on. The album’s scope and depth as it meshes hip-hop, electronica, and pop is more engaging as a whole. It’s a concept album with a clear message about the Earth’s deflowering by pollution and snowballing technology. The record marks the first time Albarn has produced a Gorillaz album in its entirety after yielding the boards to Automator and Danger Mouse on previous efforts. Plastic Beach opens with a dramatic, orchestral intro yet quickly runs into the sexy “Welcome To The World Of The Plastic Beach” featuring none other than the saucy, one and only, Snoop Dogg, dogmatizing that the “revolution will be televised… push peace and keep it in motion”. Look through the doom to behold the beauty beyond is the manifesto held in Albarn’s world. mp3: Gorillaz – Welcome to the World of the Plastic Beach (feat. Snoop Dogg & Hypnotic Brass Ensemble) “White Flag” reveals more of Albarn’s imaginings via hard hitting, hip-hop wrapped in samples and the lyrical prowess of Brit MC’s Bashy and Kano juxtaposed with sugar sweet melodies unraveling from The National Orchestra for Arabic Music. “No war, no guns, No corps, just life, Just love, no hate, Just fun, no ties, Just me and my mind, Just me and my wife.” No walls and jails on this paradise that rains condoms. Albarn’s voice leads “Rhinestone Eyes” as he voices climatic concerns with syncopated fluidity atop electricity filled synth lines. And there’s “Stylo” with soulful vocals from Albarn and Bobby Womack plus raps from Mos Def expertly meshed with swirling electronics and unrelenting beats pushing you further into another dimension. Electric is the love. mp3: Gorillaz – Stylo (feat. Mos Def & Bobby Womack) “Superfast Jellyfish” is light and silly. Super Furry Animals’ Gruff Rhys & De La Soul collaborate on this microwave-meal-fast-food biting spoof adding another dimension to the album’s already apparent multiplicity. And then the dreamy “Empire Ants” begins, easily taking the title of most compelling and gorgeous track on the record. The slow, subtle intro by Albarn leads to a fully electrifying song body rich with the alluring vocals of Little Dragon’s Yukimi Nagano. The beats are to die for. “Empire Ants” the perfect soundtrack for a spontaneous dance party on the street with your car speakers blaring. mp3: Gorillaz – Superfast Jellyfish (feat. Gruff Rhys & De La Soul) “Some King of Nature” stands out with deftly spoken lyrics from luminary Lou Reed who adds something entirely bizarre and psychedelic to Albarn’s cough syrup dripping choruses. “Melancholy Hill” causes the energy to drop off, but “Broken” picks it back up again with eerie melodies leading into nighttime driven musings about distant galaxies. The slow pace is irresistible. The album winds and turns through the rest of it’s 18 track sand then swiftly drifts into two movie score ready tracks, “Pirate’s Progress” and “Three Hearts, Seven Seas, Twelve Moons”. Plastic Beach captures your imagination and triggers a full-color, 3D listening experience. The album is stunning in its entirety and is one of Albarn’s most fully developed musical conceptions yet. The pretense of the animated band has clearly been surpassed. And there might be more to come. Albarn recorded more than 70 songs for this release, and the designing pair is apparently considering sequels. Gorillaz debuted Plastic Beach at Coachella 2010 and arguably played one of the most dynamic sets of the festival. Live, the band includes Mick Jones and Paul Simonon of The Clash along with Cass Browne (The Senseless Things) and a number of talented musicians and guests, which at Coachella included Mos Def, Bobby Womack, De La Soul, Little Dragon, and the Hypnotic Brass Ensemble. The 35-date international tour in support of the album began this October with 5 U.S. dates still remain including Denver, Phoenix, L.A., Oakland, and Seattle. Catch them if you can. It just might be one of the most epic shows you see all year. Oct 24 – Wells Fargo Theatre, Denver, CO CHECK OUT: The official video for Stylo featuring none other than Bruce Willis. Gorillaz Live at Coachella
Oct
07
2010
El Guincho’s Underwater Pop / “Bombay” VideoPosted by Lux in Album Reviews, Dance, Electro, Indie, Songs, Video
As El Guicho explains at the beginning of his new video, we are about to journey to “explore the cosmos in a ship of our imagination… [and] the ship will take us to worlds of dreams.” This video must be the visualization of Díaz-Reixa’s dream world. He launches a golden cassette tape off a cliff and takes us on a psychotropic trip filled with innumerable bare breasts, sexual innuendos, a woman lighting a cigarette from a match poised in a bird’s beak, the murder of a stuffed panda, a beauty painted entirely in gold and many things purely unexplainable. The video is stimulating and complex, the song familiar albeit futuristic. The piece serves as the trailer for a film that shares the name “Bombay” and evokes filmmaker Nicolás Mendez’s interpretation of El Guincho’s 2nd release, Pop Negro. It begins with El Guincho playing astronomer and astrophysicist Carl Sagan, parodying Sagan’s idiosyncratic documentary style, and ends with the expected, more beautiful bare breasts.
EL GUINCHO | Bombay from MGdM | Marc Gómez del Moral on Vimeo. Spanish musician Pablo Díaz-Reixa is El Guincho. He spent his early days on the Canary Isles, alienated from the 80s pop culture. Primarily a boy of the beach and the ocean, he eventually discovered his passion for film and music, which he then nurtured in Paris and Barcelona. The resulting sound infuses styles as disparate as Animal Collective and Os Mutantes and relies heavily on interlocking samples, auto-harmonizing pop choruses, and heavily syncopated beats. Díaz-Reixa describes his music, imbued with island sounds, the bouyancy of tropicalia, and pop precision, as “space-age exotica”. His breakthrough record, Alegranza (2008), launched the Spanish artist high into the indie music blogosphere and sent him to perform several highly anticipated shows at Austin’s SXSW. “Bombay” is off Díaz-Reixa’s recent release, Pop Negro (2010). His second album, like the first, is a mix of afro-beat percussion, world music samples, uptempo beats, and exotic production. Díaz-Reixa began producing the album shortly after the release of Alegranza and it became 18-months in the making. Three months into the recording process, at Berlin’s infamous Planet Roc studio, Díaz-Reixa returned to the Canary Islands to serve as a wind surfing instructor in order to raise the money to justly finish the project. Take a listen… mp3: El Guincho – Bombay – Pop Negro (2010) Díaz-Reixa has extended his reach into a variety of other projects, including adding music to Woody Allen’s Vicky Cristina Barcelona, performing with his rock band, Coconot, and working in Spanish film and television. El Guincho appears in the U.S. this week with two L.A. dates (Oct 7 – The Standard Hotel and Oct 8 – Spaceland) and one in San Francisco (Oct 9 – Elbo Room)! Tags: Alegranza, El Guincho, Pop Negro
This summer I was whisked away on the festival circuit leaving little time to share what’s been exciting my ears. That likely hurt me more than it hurt you. But I’m back to reflect on what is coming out now and to make sure that you are hearing it as well. As I get the gears revolving, here are a few tunes which caught me this summer… mp3: ceo – Come With Me mp3: Elite Gymnastics – If U Love Me mp3: Jenny and Johnny – Big Wave mp3: Evan Voytas – Sad, Like Hearts Can Be mp3: The Tallest Man On Earth – Like the Wheel Tags: Ceo, Elite Gymnastics, Evan Voytas, Jenny and Johnny, The Tallest Man On Earth
I am entirely excited for CocoRosie’s performance tomorrow at the Gothic in Denver. I’ve yet to behold the musical explorations of the Casady sisters live, but I sense that it will be epic. Their music is sultry, experimental, impassioned, and one-of-a-kind. The resonances of Bianca and Sierra’s angelic and otherworldly vocals amid their curious, fantastical realm of effected sounds and tones is true art. The duo’s name comes from nicknames their mother gave them when they were young, Bianca “Coco” and Sierra “Rosie”. The girls reunited in Paris in 2003 to collaborate and create. The story is quite romantic. Bianca, who was then 2, living in Brooklyn and hadn’t seen much of her older sister for the past 10 years, had grown restless and decided to invite a change. She chose to travel the world and showed up in Paris where 24-year-old Sierra was studying voice. The two sisters sequestered themselves in Sierra’s bathroom, the most acoustic and isolated room in the apartment, for the better part of 2 months and soon completed their debut album, La Maison de Mon Rêve (2004). Since then, the girls have toured the world, sharing their gorgeous and unrecognizable fusion of hip-hop, opera, electronica and pop. Sometimes it sounds as though you are listening to a field recording equipped with foreign noises, scratches, and faded vocals floating in the background. Other time it’s as though Billie Holiday has come back as a tiny girl obsessed with rhyme. Their third work, The Adventures of Stillborn and Ghosthorse (2007), was aptly produced by legendary Icelandic sound engineer, Valgeir Sigurdsson, who has excelled at capturing the anomalies and eccentricities of the Bjork. The duo recently signed with Sub Pop records to release their fourth full-length album, Grey Oceans (May 2010). CocoRosie’s music is a reflection of Bianca and Sierra’s relationship with each other and this is what inspires its magic. It’s a means of expression for the intense and complex energy that runs between the two sisters. Originally, the girls performed as a duo with Sierra singing, playing the guitar, piano and harp, and Bianca singing and manipulating children’s toys, electronic and percussion instruments, and other unusual noisemakers. They more often now perform with a variety of backing musicians who take the roles of bassist, synth player and beatboxer. Costuming is a constant within the world of CocoRosie, another part of the performance that I can’t wait to lay my eyes on. Bianca has been making her own clothes since she was 15. In Paris, the sisters are revered as fashion icons and regularly make the covers of style magazines. But unlike many of the women who surround them, the two are more likely to take and make their attire from 2nd hand stores than from the shops on the Rue Faubourg Saint-Honoré. So off to the Gothic to experience a world of unicorns, rainbows, fairies and angels and everything else that is CocoRosie. Don’t miss them as they voyage throughout the U.S. and then Europe. Jun 21 – Gothic Theater, Denver, CO mp3: CocoRosie – Lemonade – Grey Oceans (2010)
Jun
17
2010
Westword Music Showcase = Denver’s own SXSW (Sat 6/19)Posted by Lux in Colorado, Dance, Electro, Festivals, Folk, Indie, Pop, Songs
The Westword Music Showcase is Denver’s very own version of SXSW, albeit a smaller one. The yearly event, hosted by the free alternative weekly across 8 blocks of the Denver’s Golden Triangle neighborhood lasts just one day. But don’t let this take away from the fact that it is one of the best events in the area to take in the burgeoning Denver music scene and catch some amazing national acts as well. And it’s cheap. Just $15 in advance and $30 day of. This year’s event has one of the best lineups to date for indie fans with headliners including Ghostland Observatory (Austin), Dirty Projectors, and Neon Indian. Other stand-out local acts include The Still City, Eleanor, Hello Kavita, Taun Taun, and Kill Paradise. See below for Lux’s picks for this year’s Westword Music Showcase. FULL SCHEDULE / VENUE MAP
mp3: Dirty Projectors – Stillness Is the Move
mp3: Neon Indian – Terminally Chill
mp3: Ghostland Observatory – Sad Sad City
mp3: Eleanor – It Takes One to Know One _ Reprise
mp3: Hello Kavita – To A Loved One
mp3: Kill Paradise – Just Friends
mp3: Flashbulb Fires – Twenty-Something
mp3: Boombox – Midnight on the Run Tags: Accordion Crimes, Achille Lauro, Air Dubai, Boombox, Dirty Projectors, Eleanor, Flashbulb Fires, Fresh2Death, Ghostland Observatory, Hello Kavita, John Common & Blinding Flashes of Light, Kill Paradise, Neon Indian, TaunTaun, The Chain Gang of 1974, The Still City, Westword Music Showcase
Get it started right… mp3: Phantogram – Mouthful Of Diamonds
May
12
2010
School of Seven Bells erect lush walls of soundPosted by Lux in Album Reviews, Dance, Electro, Indie, Pop, Songs, Upcoming Tour
School of Seven Bells trigger psychedelic expeditions into colorful soundscapes infused with the sensual vocals of twin sisters Alejandra and Claudia Deheza and the ethereal guitar wanderings of Benjamin Curtis. Their multi-layered songs are saturated with melting guitar tones, lush vocal harmonies, raw synths, electronica-edged beats, and heavy production. The band’s love for rhythm, atmosphere and melody is overwhelmingly apparent throughout their explorations. The members of School of Seven Bells met on tour supporting Interpol in 2004, Curtis performing with Secret Machines and the Dehezas with On!Air!Library!. When first exposed to his future bandmates, Curtis perceived a rare vibe and communication between the girls and fell deeply in love with the sound. Alejandra revealed to Curtis her dreams for a collective entitled School of Seven Bells. The name stems from a fabled training academy of thieves and pickpockets in Columbia. They began making music here and there and by 2007 put some tracks together that they had affection for and released them as the Face to Face on High Places EP. That same year, the band began touring and had the fortune to support both Blonde Redhead and Prefuse 73 on the road. mp3: School of Seven Bells – Face To Face On High Places – Face To Face On High Places (2007) Initially, the group spent time translating elements programmed in the studio to other musicians who could fill them out in the live setting. Soon, they began featuring the tracks as originally created. If the sounds were programmed, they’d leave it that way, and if they played them themselves, they’d play it on stage. The sound became more honest and the evolution was liberating, enabling the group to remain a trio. School of Seven Bells’ debut album Alpinism was released in 2008 on Ghostly International. The trio fused their two disparate previous projects into a new sound anchored in gorgeous, winding melodies and beguiling synth backdrops. The recording is glittery and uplifting, peaceful and hymn-like, yet at points dark and tension-filled. Each track is a distinct being, possessing its very own magic. The distorted vocals on “Chain” gorgeously lean in the direction of Black Moth. And at points, School of Seven Bells recall another one of Brooklyn babies, St. Vincent. In 2009, they supported Alpinism on tours with both Bat for Lashes and Black Moth Super Rainbow. mp3: School of Seven Bells – Chain – Alpinism (2008) The trio recently announced that Disconnect from Desire, their 2nd full-length release, will drop via Vagrant/Ghostly International and Full Time Hobby in Europe on July 13th. The album, produced by band member Benjamin Curtis and mixed by Jack Joseph Puig, was recorded in the band’s home studio in Brooklyn. “Babelonia” is the gorgeously fuzzy first track off the album, which they’ve released for free into the blogosphere. mp3: School of Seven Bells – Babelonia – Disconnect From Desire (2010) “From the start, we knew we wanted to make a record that connected on more of a direct and personal level than we ever had before,” Curtis revealed in a statement regarding Disconnect. “It’s a complete account of our lives this past year, and it’s crazy how taking an honest look at yourself can tell you the most about the world around you.” In support of the release, the trio will perform one date at The Echo in Los Angeles on June 2nd and two at the Mercury Lounge in NYC on June 9 and 10. And in July, the band will journey abroad to the Netherlands, the U.K., Germany and Australia. Last year, SoSB brought another atmospheric dream pop group on the road with them, upstate New York’s Phantogram. With their thudding beats, lush synthesizers, psychedelic art-rock and interchange of male/female vocals, Phantogram creates dazzling sounds reminiscent of SoSB. Don’t miss Phantogram on tour throughout the U.S. in May and June. May 13th brings them to the Larimer Lounge in Denver. They’ll also hit Sasquatch in 2010. mp3: Phantogram – Mouthful Of Diamonds – Eyelid Movies (2010) School of Seven Bells: MySpace | Website
Tags: Black Moth Super Rainbow, Blonde Redhead, Brooklyn, On!Air!Library!, Phantogram, Prefuse 73, School of Seven Bells, Secret Machines, St. Vincent
May
02
2010
The 2010 Winners of CoachellaPosted by Lux in Concert Reviews, Dance, Electro, Favorites, Festivals, Folk, Indie, Songs
At the end of a weekend of award-winning sets, blue skies, and hipper-than-hip crowds, an esteemed analyst of mine pronounced that Gorillaz had won Coachella. After falling for the title, I’m compelled to share who made the grade, offered stand-out sets, and made Coachella what it is: the picking ground for some of the best artists performing now. Several acts were immediately taken out of the contest due to their inability to get to the festival. The Cribs, Gary Numan, Bad Lieutenant, and Delphic fell pray to flight cancellations as a result of the plume of volcanic ash from Iceland that descended on the UK and parts of Scandinavia during the week prior to the festival. Sly Stone has been disqualified as well due to the last minute postponement of his Sunday set until later that evening and the difficulty he had making it through his own songs. While the remaining 130+ artists competed enthusiastically, the Lux votes are in and it’s a tie between Gorillaz and Thom Yorke’s Atoms For Peace. The remaining titles have been awarded respectively to Dirty Projectors, The Whitest Boy Alive, Grizzly Bear, Passion Pit, Phoenix, Edward Sharpe & The Magnetic Zeros, LCD Soundsystem, Jónsi, Pretty Lights, Vampire Weekend, La Roux, Jay-Z, Hot Chip, Pavement, MGMT, Gossip, The Avett Brothers and Little Dragon. Owen Pallett’s geeky laugh, the longest bout of insanely loud distortion from Girls, and Mutemath’s Paul Meany performing flips on and over his keyboard made for other memorable Coachella moments. Special thanks to Ra Ra Riot, Local Natives, Little Boots, Beach House, Sia, Miike Snow, Flying Lotus, Sleigh Bells, and Imogen Heap for playing. You have each been awarded an honorable mention. Last place goes to Tiësto. You can’t win when you insist on being louder than every other artist to perform and drown out your competitors. Congratulations to Coachella for their first sell out in the festival’s 12 years. Your decision to hold the fest on the meticulously manicured and palm-tree lined grounds of the Empire Polo Fields in California where the weather might be the finest in the nation might warrants you the prize of best indie festival around.
mp3: Gorillaz – Empire Ants (feat. Little Dragon)
mp3: Thom Yorke – And It Rained All Night
mp3: Dirty Projectors – Cannibal Resource
mp3: The Whitest Boy Alive – Intentions
mp3: Passion Pit – Little Secrets – Manners (2009)
mp3: Phoenix – 1901 – Wolfgang Amadeus Phoenix (2009)
mp3: Edward Sharpe & The Magnetic Zeros – Janglin
mp3: LCD Soundsystem – Losing My Edge
mp3: Jonsi – Go Do
mp3: Pretty Lights – Hot Like Sauce
mp3: Vampire Weekend – One (Blake’s Got A New Face)
mp3: La Roux – In For The Kill
mp3: Jay-Z and Beyonce – Young Forever (Coachella 2010)
mp3: Hot Chip – One Life Stand
mp3: Pavement – You Are a Light
mp3: Gossip – Standing in the Way of Control (Playgroup Mix)
mp3: The Avett Brothers – I and Love and You
|
|
|
Powered by WordPress, Mandigo theme by tom.
Entries (RSS)
and Comments (RSS).
